nevver:

All it ever does is rain, Comic Book Artwork

nevver:

All it ever does is rain, Comic Book Artwork

oldbookillustrations:

Ukrainian embroidery.
From Geschichte des Kostüms (The costume history) vol. 5, by Auguste Racinet, Berlin, 1888.
(Source: archive.org)

oldbookillustrations:

Ukrainian embroidery.

From Geschichte des Kostüms (The costume history) vol. 5, by Auguste Racinet, Berlin, 1888.

(Source: archive.org)

lomographicsociety:

Keith Richards Wearing a Shirt Asking Who The F*** Is Mick Jagger?
Keith Richards was seen wearing this shirt during the Rolling Stones’ Tour of the Americas in 1975.

lomographicsociety:

Keith Richards Wearing a Shirt Asking Who The F*** Is Mick Jagger?

Keith Richards was seen wearing this shirt during the Rolling Stones’ Tour of the Americas in 1975.

totalfilm:

The Girl With The Dragon Tattoo (2011)
Amazing poster art designed by Neil Kellerhouse.

totalfilm:

The Girl With The Dragon Tattoo (2011)

Amazing poster art designed by Neil Kellerhouse.

lepoinconneurdeslilas:

“Film has dream, film has music. No form of art goes beyond ordinary  consciousness as film does, straight to our emotions, deep into the  twilight room of the soul. A little twitch in our optic nerve, a  shock effect: twenty-four illuminated frames in a second, darkness in  between, the optic nerve incapable of registering darkness. At the  editing table, when I run the trip of film through, frame by frame, I  still feel that dizzy sense of magic of my childhood: in the darkness of  the wardrobe, I slowly wind one frame after another, see almost  imperceptible changes, wind faster — a movement.”
Remembering Ernst Ingmar Bergman, born 93 years ago today

lepoinconneurdeslilas:

Film has dream, film has music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames in a second, darkness in between, the optic nerve incapable of registering darkness. At the editing table, when I run the trip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood: in the darkness of the wardrobe, I slowly wind one frame after another, see almost imperceptible changes, wind faster — a movement.”

Remembering Ernst Ingmar Bergman, born 93 years ago today

theloudestvoice:

Sin creeps in, The Kid, 1921

theloudestvoice:

Sin creeps in, The Kid, 1921

theloudestvoice:

The Kid, 1921

theloudestvoice:

The Kid, 1921